![]() One expectation is correct – each pencil grade increment does create a darker line. The finish of the lines is consistent with the appearance of the pencils – the 5B and 6B lay down shiny lines, while the 7B and 8B leave matte lines. This expectation was wrong – the pencils reach maximum softness at 6B, with 7B and 8B being much scratchier. And the 5B and 6B are indeed very shiny – but the 7B and 8B have only a slight shine, and border on being matte.įor writing and drawing, my expectation was that pencils get progressively softer in this range, with the softness and sharpening requirements being the tradeoff required for the rich lines drawn. ![]() As well as being black, graphite has a shiny luminescence. The second observation is also about the lead’s appearance. This does result in heavier pencils, and a scale confirms this. I’m not sure where in the line this starts (possibly 3B or 4B), but the 8B has a core of about 4mm in diameter, double that of a regular pencil core. The first observation is that the pencil cores get progressively larger. I thought I’d take a look at the softer Staedtler Mars Lumograph 100 pencils, specifically the 5B, 6B, 7B, and 8B. At least one pencil has used rendered bovine fat! The ratio of the graphite and clay is what determines the pencil’s darkness and softness, with more graphite meaning darker and softer. There are also waxes and binding agents in pencils. Though pencil making details are trade secrets, it is known that graphite and clay are the main ingredients in a pencil’s lead. Using pencils for writing, note taking, flowcharts, and diagrams, I’ve rarely explored their softest grades, those beyond 4B.
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